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James Patterson & Kwame Alexander | Becoming Muhammad Ali

Explore the production choices behind Becoming Muhammad Ali’s award-winning commercial, from vintage set design to dynamic camera work and post-production effects.

Portfolio ProjectCommercialsJul 2023

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James Patterson & Kwame Alexander | Becoming Muhammad Ali is strongest when the audience, purpose, production choices, and final use are clear. Watch for the problem the piece solves, the kind of attention it asks for, and the choices that make the work useful after launch.

Project videoVimeoJul 2023

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James Patterson & Kwame Alexander | Becoming Muhammad Ali - Episode two

Project Write-Up

James Patterson & Kwame Alexander | Becoming Muhammad Ali

This hard-hitting animated book trailer, entitled "Introducing Me" lifted a title belt at the 2020 Addys!

These commercials for Becoming Muhammad Ali don’t fit into your usual box(ing ring)

Becoming Muhammad Ali was one for the books. This was our first on-set shoot back since COVID had shut down the world and we. were. ready! We had a fairly small crew for the project and quite a bit of obstacles to overcome, but overcome them we did! 

For this project, the goal was to make the commercial look like a boxing movie that was set in the 1950’s to set the stage for Muhammad’s teenage years. For this we rented out a boxing studio, Sweet Science Boxing Club, to get the authentic look. Then, our Set Decorator, Melissa St. Clair, went in and greeked (taped over all the logos) all the punching bags and followed up with brown and black makeup to make the bags look worn; she even ripped the tape over the logos a little to give more of the “beat up” illusion. To add to the legitimacy of the shoot, Melissa found vintage items to use! She brought in a vintage radio, old boxing gloves, a vintage water cooler, a stop clock for working out, and a metal fan. With the props in place, the rest was up to the gaffers to set the scene with the masterful placement of lights.

For this, our Gaffer, Collin Ingram and our Grip, Alesso Graci used a center-lit approach and played with god rays to get the right feel. Lastly, we added haze to help create the feel of an authentic boxing movie.

With all the props in place and lighting set up, it was time we started Becoming Muhammad Ali! Our 1st AD, Sebastian Chamaca hopped in the ring with our talent, a professional boxer, to get those fighting shots on camera. As our boxer lunged and threw punches, Sebastian was there with the DJI Ronin Gimbal, running circles around the fighter, getting the perfect shot.

After we were done shooting, it was time for our post-production team to shine! One of our biggest difficulties was digitally altering the flags that hung above the boxing ring. The ones in the boxing club were certainly not around when Muhammad was training and while we did our best to shoot around them, we needed to fix the ones on screen. With that, they also used post effects to haze up the picture for that authentic look and feel. With the picture looking good, it was time to add the voice over, recorded by the talented Harrison Thacker aka 16os, to it. 

Along with the live action commercial, we created an animated version. For this, our Animation Director, Seth Johnson worked with a very talented artist to bring the animation to life and the author, Kwame Alexander, provided the voice over for this commercial. 

Together, these commercials won an Addy award, further cementing Becoming Muhammad Ali as one of the greatest successes in children's lit in the last few years.

Project Story

Explore the production choices behind Becoming Muhammad Ali’s award-winning commercial, from vintage set design to dynamic camera work and post-production effects.

This article helps readers understand the key production decisions that create an authentic period boxing commercial and how to apply similar strategies to their own projects.

Setting the Scene: Authenticity in Production Design

The foundation of Becoming Muhammad Ali’s commercial was creating a believable 1950s boxing environment. The production team chose Sweet Science Boxing Club as the location for its authentic gym atmosphere. To avoid modern distractions, the Set Decorator meticulously covered all contemporary logos on punching bags with tape and applied brown and black makeup to simulate wear and tear. Vintage props like a radio, old boxing gloves, a water cooler, and a stop clock were sourced to reinforce the period feel. This attention to detail in pre-production ensures the audience is transported to Muhammad Ali’s teenage years without breaking immersion.

Lighting and Atmosphere: Crafting Mood with Practical Techniques

Lighting was crucial to evoke the gritty, cinematic look of a classic boxing movie. The gaffer and grip employed a center-lit setup with strategic use of god rays to highlight the ring and talent dynamically. Adding haze enhanced light diffusion, deepening the sense of atmosphere and texture on camera. This combination of practical lighting and atmospheric effects is a proven technique to create mood and depth, especially for period pieces or dramatic sports content.

Dynamic Camera Work: Capturing Authentic Movement

To bring the boxing scenes to life, the production used a professional boxer as talent, ensuring realistic punches and movement. The 1st Assistant Director operated a DJI Ronin gimbal, moving fluidly around the ring to capture dynamic fight sequences. This approach avoids static, staged shots and instead immerses viewers in the action, a key production choice when filming sports or physical storytelling.

Post-Production: Seamless Visual Enhancements

Post-production addressed challenges that couldn’t be solved on set, such as digitally removing modern flags hanging above the ring. The visual effects team also enhanced the haze and overall color grading to reinforce the vintage look. Sound design included voice-over recording by Harrison Thacker, adding narrative depth. These post steps are essential to polish the final product, ensuring continuity and elevating the story’s emotional impact.

Animation Integration: Expanding Storytelling with Mixed Media

Alongside the live-action commercial, an animated version was created to broaden the campaign’s reach. The Animation Director collaborated with an artist to bring the story to life visually, while author Kwame Alexander provided the voice-over. This dual approach—combining live-action and animation—offers flexibility in distribution and appeals to diverse audiences, a smart production strategy for literary adaptations and children’s content.

FAQ

How do you achieve an authentic period look in a commercial shoot?

Start with location scouting for venues that naturally fit the era, then use set dressing and props to cover or replace modern elements. Lighting and color grading in post-production further enhance the period feel.

What are effective ways to film dynamic sports action on a limited budget?

Using a skilled professional athlete as talent and a gimbal for smooth, mobile camera work can create immersive action without expensive rigs or large crews.

Why combine live-action and animation in a campaign?

Mixing media allows you to reach different audience segments, extend storytelling possibilities, and create varied content for multiple platforms.

What should a team understand about James Patterson & Kwame Alexander | Becoming Muhammad Ali?

The useful takeaway is how audience, creative direction, production choices, post-production, approvals, and delivery needs shape the final video plan.

Where should this kind of project start?

Start with the goal, audience, deadline, where the finished piece needs to live, and the practical constraints that will affect creative and production decisions.

How can ECG help with the next step?

ECG can help connect the creative idea to production planning, filming, post-production, versioning, and delivery so the finished work fits the channel and the audience.

Project Story

James Patterson & Kwame Alexander | Becoming Muhammad Ali is about the story behind the work.

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James Patterson & Kwame Alexander | Becoming Muhammad Ali shows the practical choices behind the work: audience, format, pacing, production value, finish, and the places a similar piece would need to live after launch.

Creative Read

James Patterson & Kwame Alexander | Becoming Muhammad Ali works as a commercial reference because the tone, offer, pacing, production finish, and channel fit all have to land quickly.

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For a buyer, the useful question is not just whether the frame looks good. It is whether the spot makes the message clear fast enough for the channel and audience.

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