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2D and 3D Animation

Hachette Book Group | Kingdom of the Wicked

Discover how ECG Productions combined live action, motion graphics, and animation to create a captivating book trailer for Hachette Book Group’s Kingdom of the Wicked. Learn

Portfolio Project2D and 3D AnimationOct 2020

Project Write-Up

Hachette Book Group | Kingdom of the Wicked

Book trailer for Kerri Maniscalco's new fantasy fiction, Kingdom of the Wicked.

Murder, romance, and revenge combine to make one wicked book trailer!

We’d created a book promo for one of Kerri Maniscalco’s books before, so we knew we were in for a treat with this one! Set in coastal Italy, this book is filled with witches, hot demon princes, and steamy romance. Put this all together and the concept we came up with is sure to haunt you.

Once on set, Muriel Lee stepped in with props, costumes, and enough fake blood to fill a kiddie pool. Literally. Thankfully our actress was happy to dip her toe in the sticky red liquid, and also didn’t mind when we wanted to draw a pentagram on her back. Oh, and how could we forget the star of the promo, director Cameron Shaw’s abs? At this point, we’re not even surprised when he volunteers to show them off. For the art, right?

We then handed off the footage to our post-production team, where animator Seth Johnson worked his magic. His motion graphics really brought the trailer to life – er, would it be death? Either way, those shadow hands slithering down the actors sure do send chills down our spines!

Project Story

Discover how ECG Productions combined live action, motion graphics, and animation to create a captivating book trailer for Hachette Book Group’s Kingdom of the Wicked. Learn

Help readers decide how to integrate animation and live action effectively in a book trailer or promotional video to engage their target audience.

Bringing Fantasy to Life: The Production Challenge

When Hachette Book Group approached ECG Productions to create a trailer for Kerri Maniscalco’s fantasy novel Kingdom of the Wicked, the goal was clear: make complex supernatural themes—witches, demon princes, and dark romance—feel vivid, memorable, and emotionally charged. The challenge was to balance live-action elements with animation and motion graphics in a way that enhanced the story without overwhelming it. Production began with a strong creative concept rooted in the book’s coastal Italy setting and its dark, steamy tone. This foundation ensured every production decision—from casting and props to post-production effects—served the story and the target audience.

Strategy and Pre-Production: Planning for Visual Storytelling

Effective production starts with a detailed plan. For Kingdom of the Wicked, ECG’s team worked closely with Hachette to define the audience, key story beats, and where the trailer would be distributed—primarily digital platforms where fantasy readers engage. Pre-production included sourcing authentic props and costumes, and designing practical effects like fake blood and symbolic imagery such as pentagrams. This groundwork allowed the shoot to capture the right atmosphere and gave the post-production team clear assets to enhance with animation. Early alignment on tone and pacing ensured the final piece would feel polished and purposeful.

Production: Combining Live Action with Practical Effects

On set, the production embraced hands-on creativity. Actress Muriel Lee worked comfortably with immersive elements like fake blood pools and intricate makeup, adding authenticity to the performance. Director Cameron Shaw’s involvement extended beyond direction, contributing a playful energy that helped the cast embody the story’s dark romance. The production team captured footage with an eye toward how animated elements would later integrate, ensuring lighting and framing supported seamless compositing. This collaboration between live action and practical effects set the stage for a dynamic post-production process.

Post-Production and Animation: Adding the Supernatural Edge

Animator Seth Johnson took the live-action footage and elevated it with motion graphics that brought supernatural elements to life. Shadowy hands slithering along actors’ bodies and subtle animated flourishes created an eerie, otherworldly mood that aligned perfectly with the book’s themes. The animation was carefully paced to complement the narrative flow without distracting from the performances. Sound design and color grading further enhanced the trailer’s dark, seductive tone. This layered approach to post-production demonstrates how animation can amplify a story’s emotional impact when integrated thoughtfully.

What Marketers and Producers Can Learn from Kingdom of the Wicked

This project highlights several practical lessons for anyone producing a book trailer or promotional video: start with a clear creative brief that ties story, audience, and distribution together; plan production elements that support post-production effects; and use animation not as a gimmick but as a storytelling tool. Defining who needs to care about the video, what they already know, and what the final piece must prove helps shape every stage of production. ECG’s collaborative approach ensures that each project’s unique goals are met with tailored strategy and execution, whether that means live action, animation, or a hybrid.

FAQ

How can animation enhance a live-action book trailer?

Animation can add supernatural or abstract elements that are difficult to capture on set, helping to visualize themes like magic or fantasy. When integrated thoughtfully, it complements live action by enhancing mood and storytelling without overpowering the footage.

What should I consider when planning a book trailer production?

Start by defining your target audience, key story points, and where the trailer will be distributed. Align your creative concept with practical production elements like casting, props, and effects. Plan for post-production needs early to ensure footage supports animation or graphics.

Why is collaboration between production and post-production important?

Close collaboration ensures that footage is shot with post-production effects in mind, allowing for seamless integration of animation, color grading, and sound design. This alignment saves time and enhances the final video’s quality and impact.

What should a team understand about Hachette Book Group | Kingdom of the Wicked?

The useful takeaway is how audience, creative direction, production choices, post-production, approvals, and delivery needs shape the final video plan.

Where should this kind of project start?

Start with the goal, audience, deadline, where the finished piece needs to live, and the practical constraints that will affect creative and production decisions.

How can ECG help with the next step?

ECG can help connect the creative idea to production planning, filming, post-production, versioning, and delivery so the finished work fits the channel and the audience.

Project Story

Hachette Book Group | Kingdom of the Wicked is about the story behind the work.

Hachette Book Group | Kingdom of the Wicked works best as a real production reference when the page makes the audience, purpose, production choices, and final use case easy to understand. The value is not the category label; it is the story of why this kind of work exists and what a client can learn from it.

Story Read

Make the animation and motion feel specific.

Motion and explainer work has to make the idea easier to understand, not just more decorated.

Production Reality

Protect the choices that shape the result.

A similar project needs the script, visual system, edit rhythm, and information hierarchy solved together so the motion design actually clarifies the message.

Where It Leads

Start with the context behind the ask.

For a similar conversation, start with the audience, deliverables, where the finished video has to work, and how Animation connects to the story the brand or client is trying to tell.

Project Context

What this motion-driven project makes easier to understand.

Hachette Book Group | Kingdom of the Wicked shows the practical choices behind the work: audience, format, pacing, production value, finish, and the places a similar piece would need to live after launch.

Creative Read

Hachette Book Group | Kingdom of the Wicked shows motion-led work through visual clarity, pacing, design fit, and the way the finished piece helps the idea land.

Production Read

Animation and motion graphics pages become stronger when they explain the script, style frame, animation approach, delivery formats, and review process.

Next Step

A focused motion project connects the goal, approved media, service relationships, script, visual system, and review process early enough to protect the animation path.

More Work In This Lane

Browse examples with similar audience, format, or production demands.

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Related Services

Turn the reference into a production plan.

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Project Questions

What to know about this kind of work.

A few practical notes about what the project shows, why it matters, and where a conversation with ECG would usually start.

Can ECG make something similar to Hachette Book Group | Kingdom of the Wicked?

Yes. A project in this lane usually starts with the audience, deadline, deliverables, locations, talent, approvals, and final use. Once those pieces are clear, ECG can shape the right production or post-production path.

What does this project show?

The finished piece shows the audience, pacing, production value, brand presence, format, and the job the work needed to do. Those details matter more than style alone.

Where would a conversation with ECG start?

Animation is the best starting point for this reference. From there, ECG can connect the work to pre-production, production, post-production, animation, versioning, and launch support as needed.

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