5 Tips to Optimize Adobe Premiere Pro for Best Performance (Without Using Proxies!)

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Adobe Premiere Pro CC certainly isn’t the most stable or glitch-free NLE on the market, but it is one of the fastest, most robust, and codec friendly software offerings. And if you’re like me, you’ll take your software a bit glitchy as long as it’s the most cutting edge and performance driven. The best way to get the best performance from Premiere is to use ProRes Proxy files…but the client needs this edit tomorrow and there’s no time to transcode everything! We need to start editing now and we need Premiere to be able to keep up with our blazing fast editing skillz!!! So let’s discuss how to squeeze the most performance out of our favorite, crash loving software:

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1. Enable GPU Previewing

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Premiere can realtime preview video in 3 different ways: CPU (software only), OpenCL (AMD graphics cards), and CUDA (Nvidia graphics cards). By default, software only is selected because not all systems have graphics cards. If your system doesn’t have a dedicated GPU (graphics card) then you won’t be able to select the GPU Acceleration options and you will be forced to stick with the subpar Software Only setting. If you do have a dedicated GPU, which is definitely preferable, then you should select a GPU Acceleration option. To change this setting go to File/Project Settings/General… then use the Renderer dropdown menu to select your preference. If you have an AMD GPU then select OpenCL rendering. If you have an Nvidia GPU then select CUDA. Note that Nvidia GPUs with more CUDA cores will have better performance so definitely purchase cards that have the highest number of CUDA cores that you can afford. Also, if you have an Nvidia GPU, then make sure to install the CUDA driver and keep it up to date. Nvidia CUDA for the win!

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2. Point Media Cache to Different Drive from OS

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By default, your Media Cache files are stored on your OS drive. This works fine and all, but it’s not optimal for performance because you want your OS drive to be focused on delivering its best read/write performance to your OS and your applications. Instead of allocating these precious resources to your OS drive, move your Cache to a separate drive. When I build systems, I always dedicate a 500GB SSD strictly for cache purposes and I point the cache files to that drive. The faster the cache drive, the better. So try to use an SSD or even better an M.2 SSD. If you insist on using a spinning disk drive then at least use a 7200rpm drive.

3. Decrease Preview Resolution if Necessary

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Premiere does its best to realtime preview your timeline so that you don’t have to transcode your videos or wait on render previews. However, even with a fast computer and GPU, sometimes what you have going on in your timeline is still too much to handle and you will notice stuttering video and laggy performance. If this happens, try reducing your preview resolution located on your Program monitor window. Doing this is typically necessary for RAW footage; unless you have a beastly system! Furthermore, unless your program monitor is displayed full screen, there is typically no need to preview in full resolution because your monitor probably can’t display all of the video pixels anyway (i.e. your timeline preview monitor is only occupying the upper right portion of your computer monitor).

4. Disable Clips When Not In Use

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Premiere previews the top video track layer of your timeline. It stands to reason that if you have multiple clips on video tracks below your top layer then performance should not be affected since only the top track is previewing…right?…WRONG! Even clips underneath the top layer video track use up system resources and will slow down performance. Instead of being destructive and deleting these clips, simply right click and uncheck the Enable option in order to disable the clip. This will ensure that you can use this clip again if you so choose to by re-enabling it; but in the meantime it won’t take up resources and slow down your timeline preview. Pro tip: use the keyboard shortcut cmd+shift+e (ctrl+shift+e on Windows) to enable and disable clips instead of right clicking.

5. Edit in a Sequence that Matches Your Footage Settings

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Premiere performs best when previewing a sequence that matches the native properties of your footage. Therefore, when you create your sequence, you should right click on an imported clip and select New Sequence From Clip. Premiere will then create a new sequence that matches the resolution, codec, and frame rate of your clip. I know that many of you are thinking “But I like to make a 1080p sequence and import my 4K video so I can downscale it in order to reframe.” Doing this is a great practice and certainly much better than upscaling (never upscale!) but all that downscaling takes a performance hit on Premiere. Instead, I recommend doing all of your edits in native resolution and then once you’re ready to do your reframes, create a new 1080p sequence and copy and paste the contents from your native sequence into your new 1080p sequence. Then do all of your reframes because at that point you won’t care as much if your video is stuttering since all of your edits are done and you’re just fine-tuning.

BONUS TIP: Use an Adjustment Layer for Color Correcting

Use an Adjustment Layer for Color Correcting

To create an adjustment layer, your Project window must first be selected (it should be highlighted by a thin blue box), then select File/New/Adjustment Layer… Premiere will then create an adjustment layer file in your project window that you can insert into your timeline. An adjustment layer affects all layers that are below it so keep this in mind when you’re editing because you may not want your graphics to be affected by the color corrections of your adjustment layer. If this is the case, simply put your graphics above your adjustment layer.

Adjustment layers are great because they are an easy way to on/off your color grade at a universal level (instead of going into the effect controls of each clip independently). There is a performance benefit to this as well because if you want to watch your timeline for the edits then you want to see it playback as smoothly as possible so simply eyeball off your adjustment layer and watch your timeline playback like butter. Then, when you’re ready to tweak the grade, simply eyeball back on your adjustment layer.

Another way adjustment layers can benefit performance is if your sequence resolution is lower than your clip resolution because adjustment layers are based on your sequence resolution. Therefore, all of the effects on your adjustment layer will be rendered at the lower resolution of your sequence, rather than being rendered at the higher resolution of your clips.

Wrap Up

Next time Premiere is being so laggy that you want to hurl your computer at the wall, try implementing these performance enhancing tips to see if it will smooth things out for you. Let me know in the comments below if you’ve come across other performance enhancing tips because I’m all about eking out top efficiency!

  1. March 19, 2017

    Matt

    Thank you thank you and thank you. Feels like I’ve got a new machine….ok thats a slight exaggeration but boy does it feel quicker.

  2. May 8, 2017

    Andrew

    offline editing aka proxy media

    Create low-resolution clips for offline editing
    Capture or import assets into the Project panel at full resolution.
    In the Project panel, click the New Bin button, and name a bin for your low-resolution clips.
    Launch Adobe Media Encoder, and add all the clips for your project to the Adobe Media Encoder Queue.

    https://helpx.adobe.com/premiere-pro/using/create-clips-offline-editing.html

    ohhh well you wrote in the title without using proxies …. but give readers info what that option is 🙂

  3. May 18, 2017

    Dedicated Proxies

    Hi, Thanks it speeds up my machine, Facing lots of trouble before doing these settings to my PC. Really this will help me a lot. Keep updating post like this

  4. August 23, 2017

    Paul Abrahams

    Export a render then place the rendered file on the timeline. Let’s say you have done some Lumetric Corrections, basic grading, highlight the video file on the timeline, go to, file>export>choose the resolution (I choose equal rez) down the bottom select to add to project. Add it to the timeline and turn off the original. Now keep grading. Each time your machine starts to grind to a halt you can render the file and add it to the timeline.

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